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1.
2.
Cruxt 07:57
The position is relenting To disposition A coalition of contrition incorporated The attention to contention A convention of confection  So understated until translated The love pharmacy is open for submissions Human beings and really pointless missions Intrusion on the fusion of a new to told Exclusion of martyrs and effigies, refugees  But then the trees………………………………. 12 million leaves Telepathy  Crust (repeat) The hope larceny is open for discussions 20 cheers and doses of a potion Stand up Planetary issues Cum stained tissues Circle and bend Crux (repeat) I feel a chill all over, move over Don’t get in the way Don’t get in the way I feel a thrill come over it’s not over Don’t get in the way Don’t get in the way What’s the thing you miss the most Is it cheese or stupid bongs All on top a pretty dome Banking chips or bust a throne What’s the thing you call the core Is it will or mighty bones Lavishing the sticky Crust, Crux and Chicken Man Crust, Crux Crust, Crux and Chicken Man Crust, Crux Chicken man (repeat) Don’t look at me like that chicken man Chicken man I fuck you up chicken man Chicken man (repeat)
3.
Streets are a toss Travels a host Step away from the rage and the loss Clocks tick aloft Attics of dust in rust Always make it so I always wanted to assist you and please you But the mission was a lesion permission And the elephants and the conductors Threw a wrench in the commotion Oh, we believe in it So we live in it oh We subscribe to it Always make it so Always make it so I know we’ve had our differences But everything is ok When gauged from A then and there You should have been talking back To every little hack Permeating your high
4.
How doth the little crocodile How do the fish in the mire When the pendulum spires Big fires, big tires, the mountain aspires Come sit around a fire with us Come sit around a fire with us Come sit around a fire with us Come sit around a fire All is where it’s at All is where it’s at Big fires, big tires, the mountain aspires Come sit around a fire with us Come
5.
Bask 05:04
Frolicking atop a mountain With the very merry chevalier a goat Wishing rain and penitence to All the thirsty people on the ground below Over trees the fields below Over mounds and mountain tops Breathing chilling willing antidote Splintering the blither aloft a dome Oh Bask Bask Bask Bask Fostering the elegance of eminent domains And every frame in awe Pawn shop memories investing in the thrill a frill If all be tiers And bent up in bonds  Come next year Would you come and keep me warm Would you come and keep me warm Would you come and keep me warm Would you come  Bask The oracle is just a loan Bask There’s nothing here to call your own Bask And reveries are such a bore Bask Never mind a falling sun Never mind a falling sun Over trees the fields below
6.
We are some creatures at the gate of a quarrel Grinding the teeth and feeding the motor Writers of stories and psychic tomorrows Lovers of pensions yes actors of horror Go lower, mmmmm Yes, much lower, mmmmm You are the teachers the patient uncover Puppets of hate the preachers of copper Merchants of lube Go under and plunder the virginal trust We must! Mmmmm We must appraise the fuzz, mmmmm The stinking pressure hoist lust, mmmmm Stinking pressure hoist lust Piercing the veil Indisputable tell Some bones left to carry Some storm clouding starry Itching to tell To ring the heavenly bell Some stones in the quarry DNA of the fairies (repeat) DNA, DNA, DNA (repeat) Piercing the veil Indisputable tell Some bones left to carry Some storm clouding starry Itching to tell To ring the heavenly bell Some stones in the quarry DNA of the fairies DNA of the fairies DNA of the fairies DNA of the fairies
7.
The Potion 05:36
Only love can censor the Injection of, tension of Hatred of love Only love can knock it Out of the park At first, the gushes and blushes The askew look to book a pew Fervently patiently from a distance The assistance of the fuses much obliged Much obliged The wanted unfettered The loved ones bettered Bettered Bettered So bettered Much bettered The potion the potion! You love it Way too much lotion You love it The cranial erosion You love it Really done waste a day Really done waste a day Really done waste a day Really done waste a day
8.
Permítame 05:17
Permítame Qué ya no viene la comisaría Qué todo el mundo es a No ve no más La estadía de Forilo Qué ya no ve Sura nico Qué la ternicia De la Lorira Permítame Permítame Y la carniceria No da más Y cuando llega el Sol
9.
Quarry 02:53
Finny said to Vinny That’s the way to go But I don’t know No I don’t know A luminary quarry hid away to hold all the gold In ways untold  In lives so cold In fairly bold Misadvisements Heady for it steady on it On the go So Wise and old So Wise and old A luminary quarry slid away On shoulders of woe In strollers and snow Those solar escrow advertisements 
10.
Stick it on pong Stick it on pong Stick it on Love to see it Love to be it Love to be in form Stick it on pong (repeat) Love to eat it Love to feed it Love to Stick it on pong (repeat) Abrasions Elegant abrasions under clothes Nothing was believing on Something like perceiving off Elegant abrasions under clothes Surface on the table plot Tripping on a scale That balances the air Basking on the shade Tickle body fade to

about

Introducing "BASK" - A Sonic Odyssey by Mike Keneally and Marcelo Radulovich
Prepare to embark on an exalting journey into the realms of peculiar musical investigations, as old friends Mike Keneally and Marcelo Radulovich reunite to bring you their second album, aptly titled "BASK." With this extraordinary collaboration, they have conjured a musical experience that is like a fire everyone is invited to sit around.

"BASK" is a magnificent testament to the enduring power of friendship and the boundless possibilities of artistic creativity. Mike and Marcelo, both renowned musicians in their own right, seamlessly merge their talents and inspirations to craft an album that is as soulful as it is catchy, as unpredictable as it is deeply resonant.

This collection of songs unveils a sonic landscape where every twist and turn holds a delightful surprise. The melodies are inviting, at times strange, at times child-like, often complex in the way years and years devoted to composition can create, drawing you in with their magnetic allure, while the lyrics delve into the depths of human emotions lovingly engaging in a pull and push, a hate is love in shabby clothes conundrum, inviting introspection and connection.

Marcelo's and Mike’s vocals, at once strange and strangely captivating, add unique layers of intrigue to each track, making every moment an exploration of the unfamiliar.

The musical prowess displayed on "BASK" is nothing short of breathtaking. Mike’s virtuoso performances combined with Marcelo's shamanistic quirky playing, both on various instruments, is nothing short of masterful, nothing short of undiluted fun, creating layers of sound that are unique in their inspired artistic approach. But the magic doesn't stop there, oh no! Bill Ray's vibrant drumming infuses the songs with a pulsating energy that is unrelenting in its disciplined “in your face” delivery, nodding and bouncing to the rhythms are inevitable while you marvel at the complex rhythmic twists and turns that Bill is so great at!

As you listen to "BASK," you'll find yourself immersed in a world where musical boundaries blur and possibilities are endless. This album is a testament to the transcendence of creativity, and the ability of music to touch the deepest corners of the hungry human condition.

This album blurb is a collaboration with Chat GPT.
_____________________________________________

“This album is a complete freak show, and I mean that in the most complimentary manner imaginable. I have no idea what genre this might be considered, which makes me love it even more.”
Jeff Miers (jeffmiersmusic.substack.com/p/a-few-of-my-favorite-things-new-music?)

“It’s a technosonic musical journey of compositional polytonality and polyvalency complemented by intricate arrangements of darting and weaving synthesized, electronic motifs amid lyrics of spoken word and harmonized vocal verses and choruses. You’ll hear elements of clever orchestral interplay akin to everyone from Edgard Varese and Karlheinz Stockhausen to Danny Elfman and Frank Zappa.”
Wayne Riker, The Troubadour
(sandiegotroubadour.com/mike-keneally-bask/?fbclid=IwAR1anTqLcOq-RngFubP8792s97tcbaouZeLHryjl65zV94J8vucZj8gJ3nU)

credits

released December 1, 2023

CREDITS:
All music by Mike Keneally and Marcelo Radulovich, “Sit Around a Fire” by Mike Keneally, Marcelo Radulovich and Bill Ray.
Mike Keneally: guitar, piano, synth, bass, voice, percussion
Marcelo Radulovich: voice, bass, synth, guitar, electronics, melodica, drum machine, percusssion, saxophone
Bill Ray: drums on tracks 2, 4, 5, 6, 7, 8 and 10
Donna Ray: voice on tracks 2 and 5

Recorded and produced by Marcelo Radulovich, Mike Keneally and Bill Ray. Mixed by Marcelo Radulovich at Titicacaman Studio, Fall 2023, mastered by Dustin Boyer.
Art and design by Marcelo Radulovich.

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about

Titicacaman Records Encinitas, California

Titicacaman Records is an extension of Titicacaman Studio, a means to release to a wider audience the music being created within those walls. The label’s fast growing catalog includes: The Royal Orchestra of Titicaca; Crow Squawk; Son of Radul; Me Me the Moth; Nicey Nice World; The Playground Slap; Gunther’s Grass; Marcelo Radulovich and others. ... more

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